Last year, I attended the inaugural Water of Life charity tasting, hosted by ER doc and whisky buff extraordinaire Matthew Lurin, and at the time I recommended the event to anyone looking for “an intimate, relaxed whisky tasting.” After this year’s … Continue reading
Last week, I went drinking on a school night. (And by school night I mean a night before work, obvs.) When I make choices like these, I usually face regret the next day and vow never to do it again. And yet, rarely do I choose to go out and drink through the entire line of one of America’s finest craft distilleries.
When that happens, there are NO regrets.
I trekked all the way to Hell Gate Social in my old hood, Astoria, for a tasting of Balcones whiskies led by Chip Tate, the bearded genius who founded the Waco, Texas distillery. His presentation ranked among the best I’ve ever gotten from an actual distiller, overpowering not by volume but by sheer gentle magnetism the noise of the backyard BBQ going on around us. He put the small crowd at ease immediately by chatting like we were all old friends and displaying the kind of understated hospitality that the best Southerners are known for.
Plus, the whiskies were out-of-control AWESOME. I’d had some Balcones before, but never the opportunity to taste them all in one sitting, from the Texas Single Malt to the Brimstone with some special treats besides. Chip says he tries “to obey the flavor rules and not just do something weird to do something weird,” a refreshing position at a time when many craft distillers resort to gimmicks to distinguish themselves. Chip seeks to create a flavor profile that is unique and uniquely Texan, and boy, does he ever succeed. It was easy to connect the dots between the pours, and yet each expression stood on its own. Even if Balcones made only one of these spirits, the name would command same the respect and admiration as its full line of seven expressions.
Chip’s “brand of whisky science” is that you have to start with quality to get quality. So he uses ingredients, like Hopi blue corn, and processes, like rigorous wood management and even building his own stills (he sported burn marks from recent welding), that he has tested and vetted and found to result in an excellent product. I think almost every distiller would claim the same philosophy, but when Chip says it, he can genuinely back it up. He’s turned down investors who wanted to increase production but on terms Chip didn’t agree with. Luckily, some investors came along who see the wisdom of letting the man behind the magic do things his way, and Balcones is building a new facility in Waco’s downtown that will increase production without sacrificing quality (hence the newly-welded stills).
The evening passed too quickly, with excellent company and superb spirits. I can’t write about everything we tried, but I can hint that Balcones is releasing something pretty special in a few months’ time. Aw, heck, they’re all special, but this one will really catch people’s attention. I’d be mad that it’s not yet available, but Chip made us promise we wouldn’t be angry at him for pouring us things we can’t get.
Here are a few brief notes from the lineup. The atmosphere wasn’t conducive to my style of drawn out, thoughtful tasting, but I look forward to revisiting each of these drams again to discover new pleasures.
Balcones Texas Single Malt (53% ABV)
Sweet nose of caramel and brown sugar, with a hint of mocha. Sweet (cherry, jelly sweets, bubblegum), nutty and oaky palate with well-balanced spice (cinnamon, nutmeg).
Balcones Rumble (47%)
Note: this is not a whisky. It’s made with figs, honey and sugar. The nose is sugary and floral, the palate all molasses, honey, candied violets, and layered spice. In Chip’s words, it “came from years of sauce-making.” And indeed, it tastes like something I’d gladly spoon over my roast pork tenderloin.
Balcones Baby Blue (46%)
Nose of vanilla, mint, and toasted marshmallows. Palate of leather, sugar, tropical fruits, vanilla, and a slight smokiness. Chip called this the “reposado tequila of the corn whisky world”.
Balcones True Blue (50%)
A vegetal and smoky nose—like grilled steak over dark greens. The palate holds incredible mint and spice flavors, reminding me of certain Indian chutneys. It is so sweet, dark, vegetal, meaty, and benefits well from a few drops of water.
Balcones True Blue Cask Strength (58.3%)
The nose is pure maple syrup with a hint of tobacco; the palate also has maple, vanilla, lemon, and wood notes. A gut-punchingly good dram.
Balcones Fifth Anniversary Bourbon (64.2%)
This thing is so rich you could pour it on pancakes (but please don’t). I tasted it for the first time at WhiskyLive last spring, and you can hear my reaction here. Needless to say, this is one of the bottles you’ll have a hard time finding in stores and I am exceptionally pleased to have had it twice.
Balcones Brimstone (53%)
Chip says this whisky creates a psychosocial reaction in most folks, bringing back old memories, usually of something very primal from early childhood. It certainly reminds me of camping trips when I was a kid—it’s pure steak cooked over a mesquite fire, with sweet vanilla, mango, brown sugar, coriander penetrating the dense meatiness. This whisky might remind scotch drinkers of peated expressions, but unlike with Scotch malt whisky, where the barley is dried over fire for that smoky flavor, Brimstone—the spirit itself—is smoked through some secret, mystical hoodoo. Josh, the Coopered Tot, compares it to “bubbling through like bong water”. I’m going to just leave that there.
Balcones Brimstone Resurrection (59.2%)
The whisky that was “snatched from the jaws of hell” (i.e. corn burnt to a crisp, chiseled out of the bottom of a still and re-processed into something drinkable, then bottled after three years—see what they did there?) blew me out of the water. If I had to choose a favorite from the evening, I think this would be it. The nose is more subtle than the Brimstone—much less meat, much more fruit. The palate is one big WOW of honey, butterscotch, cardamom, and Fun Dip (yup, Fun Dip) riding beneath the smoky goodness. I could see myself drinking this for a week straight and still coming up with new revelations (wordplay!) with each sip. Too bad it’s another of those hard-to-find bottlings, created to celebrate Balcones’s fifth anniversary.
The only regret I woke up with was that the evening didn’t last longer. I think Chip and I could have had some interesting theological conversations to rival the complexity of his whiskies. Maybe next time. Have no doubt, I’ll disregard any school night for Balcones.
Find more whisky in Astoria at the Astoria Whiskey Society.
Jackson Heights, situated in the heart of Queens, the nation’s most diverse county, is probably my favorite neighborhood in New York City. Roosevelt Avenue seethes with bustle and noise and humanity while, down any given side street, quiet families stroll past garden apartments and co-ops sitting staidly in the shade of tall, green trees. You’ll hear a dozen different languages in the space of a block; your head will turn at a hundred different aromas; and you can get the city’s best momos from a cart and, two minutes later, indulge in the tastiest arepas this side of Bogota.
With so much good food available, you could spend weeks eating exclusively in Jackson Heights and still not exhaust its culinary treasures: South Indian, North Indian, Pakistani, Bangladeshi, Nepalese, Tibetan, Korean, Mexican, Colombian, Ecuadorian, Uruguayan, and loads more—I’m sure I couldn’t list them all because there’s so much I haven’t yet eaten.
Systematically, I’m trying to change that, starting a couple of weeks ago with a progressive meal of Latin American delights. My friends Mu and John live in Jackson Heights, so I tapped into their local expertise about the tastiest spots. Initially, I was going to limit myself to tacos, but my resolve crumbled as soon as the empanadas came out.
Mu, originally from Argentina, got these empanadas from a local Uruguayan bakery, La Gran Uruguaya, which she says is about the same as Argentinean and, in this ‘hood, definitely the better offering. (Argentinean cuisine seems to be curiously absent in New York; this blogger posits that one-time immigrants eventually returned to Argentina, leaving a gap in the South American culinary spectrum of Queens.) Unable to verify authenticity myself, I can certainly vouch for their tastiness, especially the tuna and spinach varieties.
Palates sufficiently whetted, we headed to Coatzingo Restaurant (an expansion of Tacqueria Coatzingo a couple blocks down the street). Oh, the glorious vertical spit of roasting pork al pastor! The tender steamed lengua! The homemade tamarindo! I gorged on tacos and a cemita filled with strata of meat, cheese, greens, and sauce and enclosed in an appropriately seedy bun–the kind of sandwich that years from now I will dream of and wake up hungry.
On our way to the next destination, Sunjay stopped for a quick oreja taco from Mi Mexico Lindo. This was my first experience with pig’s ear and it did not disappoint–chewy and soft at the same time, and deliciously well seasoned.
Next stop: Terraza 7. Without the guidance of two locals, I’d never have noticed this place. Other than the banner, it’s completely unremarkable from the outside, tucked away on a little side street. Inside, it’s smaller than it seems, shaped by the street into an odd triangle, although the wire loft (which usually houses a band) was surprisingly airy. Patrons can sit on kegs with custom-made cushions, sipping homemade sangria (with canned peaches!) and craft beer (including new Queens brewery Singlecut) and admiring the kitschy décor.
Our bellies full but still craving one last nosh, we stopped for arepas. Roosevelt Avenue’s famous Arepa Lady wasn’t yet out for the evening, so we had to make do with the second-best in Jackson Heights–which was still pretty flippin’ awesome.
If I’d had more room in my belly, I’d have liked to try a chorizo chuzo, which smelled amazing. The arepa, however, did me in for the night with its greasy, crunchy, cheesy fried goodness.
I don’t take a trip to any neighborhood without running through my mental list of nearby stores selling specialty foods I can’t find closer to home. In Jackson Heights, every outing ends with a spree at Patel Brothers. No matter how much I buy, I always walk out having spent way less than I feel I should have.
It’s the ultimate satisfaction: a belly full of great food and bags of more great food to take home. Till next time, Jackson Heights.
Is there anything better than barbecue, bluegrass, and good booze to get you excited about summertime? Maybe ice cream. And cornhole. And great company to share in these marvelous things.
Last week, I got all that and more at Tasting Table‘s ‘Cue Up Summer party. Yes, it’s already late July. But after an intensely oppressive heat wave, I think we all needed a reason to get excited about summer again. With great food by local purveyors, twangtastic bluegrass from the Difibulators, and unlimited booze, it perfectly renewed my love of the season’s simple pleasures. (And it didn’t hurt that the day itself was unseasonably cool!)
It all went down in the Elizabeth Street Garden which, under normal circumstances, is lovely enough with its antique statuary and rampant greenery. This evening, marquees strung with fairy lights sheltered tables laden with picnic pleasures—cold fried chicken, potato salad, and pimento cheese sandwiches from Bobwhite Lunch & Supper Counter; brisket, pork AND beef ribs, and fixins from Delaney Barbecue; some guilt-free gazpacho and veggies topped with Tabasco Buffalo Sauce; and amazing desserts—cookies by Mah-ze-Dahr Bakery; Imperial Woodpecker sno-balls; and massive ice cream sandwiches by Melt Bakery.
And what would an outdoor summer party be without bottomless booze? Guests had their choice of Santa Margherita wines, Goose Island beers, and cocktails made with Monkey Shoulder and Hendrick’s Gin. I’m a big fan of both of the latter and stuck to those. The Hendrick’s lemonade suited my unusual preference for having lemon with Hendrick’s (and only with Hendrick’s—with other gins, it’s always lime), and the Summer Jam, mixing Monkey Shoulder with strawberry jam and lemon juice, was everything a July whisky cocktail should be—cool, slightly sweet, and far too easy to drink. Check out the recipe below.
My buddy Josh, of the Coopered Tot and Morgan Library whisky fame, along with some new friends, ensured that the company was as good as the comestibles. Thanks to Nick of Exposure USA for hosting with aplomb and Freddy of William Grant & Sons for sharing his extensive boozey knowledge. Summer might be half-gone already, but I plan to carry on with the outdoor eating, drinking, and merry-making, getting all I can out of the few weeks we have left.
Add all ingredients except seltzer to a shaker. Shake well. Strain into a glass with ice and top with a splash of seltzer.
Sometimes I forget how short a time I’ve actually been drinking whisky. For the record, I first tasted whisky in December 2007 as a freshly-minted 21-year-old, and I hated it. I probably offended my friend’s kind father who had generously poured a flight of three different Scotches to try. I wasn’t ready yet.
But in September of 2011, I had just moved to Edinburgh and wanted to fully immerse myself in my new surroundings. Simultaneously, I was re-entering student life and didn’t have much disposable income for new hobbies. Luckily, the Edinburgh University Water of Life Society came through with a massively good deal: buy a £10 membership and, twice a month, taste 5-6 whiskies for only £6. Thus, it didn’t take long for me to fall deeply in love with Scotch whisky and, since then, it feels as if I’ve always been enjoying it. Each tasting with the Society was a new adventure, as we never repeated drams, and I continue to approach my whisky drinking in this way, as an education, preferring to try something new rather than stick with what’s familiar. (Though, to be sure, I do have bottles of some of my favorites.)
Since returning from Scotland last August, I’ve been casting about for ways to keep learning. I love New York City, but it’s not a town for whisky lovers on a budget. Even the cheapest tastings run upwards of $50 or more, making them an infrequent treat. And while New York’s bars and liquor stores have probably the best selection and availability of Scotch whiskies in the country, eventually you get around to trying them all (except those that are $150 per pour). I haven’t gotten to that point yet, but the day is coming.
What’s a drinker who craves the novelty of varied drams to do? Expand my palate, not with just Scotch, but with other whisky iterations. Bourbon is the obvious first choice, and I’m slowly feeling my way down this long and interesting path. But North America produces other whiskies, too. Recently I got the opportunity to venture north of the border and begin exploring Canadian whisky, using Canadian Whisky: The Portable Expert by Davin de Kergommeaux as my guide. Paired with “mystery tastings” on Twitter led by Davin and Johanne McInnis, I spent four weeks reading, re-reading, nosing, tasting, and asking questions about the complex spirits made up north.
A brief review of the book: If you ever wanted to know anything about Canadian whisky, this is the resource for you. Davin has spent years mapping out the distillation process, visiting distilleries (not a mean feat in Canada, where distillery access requires security clearance due to post-9/11 US import regulations), researching the history of great Canadian distillers, and learning boatloads about chemistry. He expressly dispels well-accepted myths about Canadian whisky (e.g. it always contains rye) and he takes the reader from grain to glass in a clear, detailed yet understandable way. The book is a pleasure to read. You can choose to plow right through from A to Z (or zed if you’re Canadian) or jump from a chapter on enzymes to one about the Seagram family. Historical and contemporary photos and helpful diagrams support the text and provide helpful visual references.
I learned some things that surprised me, like Canadian whisky is (nearly) always a blend—even single cask bottlings, as the spirit can be blended before it goes into the barrel. The blending process is pretty fascinating: most distilleries have recipes for “base whisky” and “flavoring whisky.” Each has a different grain profile and ABV, as the spirit interacts differently in the barrel depending on what sort of congeners (aka flavor makers) are present. (Typically, more distillation=higher ABV=fewer congeners.) Depending on what grains are available in a given year (crops vary, of course, according to weather and growing conditions), distillers must adjust their recipes to account for any differences that could show up in the finished product. I can’t even imagine what their formulas look like, but I have an immense respect for the people who do this job.
Also of note is the importance of yeast in making Canadian whisky. Obviously, all whiskies require yeast to carry out fermentation, but I’ve never heard anyone in the Scotch world discuss yeast with as much emphasis as here. Especially for flavoring whiskies, yeast really matters, and each distillery carefully cultivates and “fingerprints” its yeast to ensure the right fermentation takes place. Such a tiny micro-organism makes such a big difference!
One of the best features of the book is its extensive tasting notes, covering 100 expressions on the market at the time of publication. (The notes, organized throughout the book to match up with the chapters about their respective distilleries, are handily indexed so you can easily locate them, which I found a thoughtful touch.) It was from these notes (with one exception) that Johanne and Davin chose the mystery whiskies for each week’s tasting. Although I never guessed correctly, it was great fun to try!
Below are my notes for each whisky. If I had to pick a favorite, it was the Forty Creek Port Wood Reserve. Every one of these was exceptionally delicious, though, and I’d go back to any of them in a heartbeat.
Lot No. 40
Nose: Caraway galore! And gingersnap.
Palate: Sweet like a dark butterscotch, spicy with cloves and cinnamon. Fresh herbal notes too, especially mint. Adding water reveals white pepper, ginger, and dried orange peel.
Alberta Premium Dark Horse
Nose: Fruity and floral with cherries, plums, notes of peony, lavender, and lilac. Also a hint of rubber or slate, not unpleasant.
Palate: Cloying with cherry cough syrup and cigar smoke. Water opens up a more nuanced profile with spice notes, notably fenugreek.
Danfield’s Limited Edition 21 year old
Nose: Big fruit, especially cherry at first, then brown sugar, fresh sawdust and something earthy like slate.
Palate: Warm butterscotch with zesty citrus peel and bitter pith. Floral topnotes and lingering spice (white pepper, cinnamon bark) finish. Adding water brings out more herbal notes but mutes the spice.
Forty Creek Port Wood Reserve
Nose: Tons of spice (cinnamon, black pepper) and herbs. Wet earth and a slight mustiness, like a mushroom. Over time it picks up fruit and flower notes, too.
Palate: Sweet and spicy in a perfect mix, with cooked ginger, leafy greens, and birch syrup.
I am so grateful to Johanne and Davin for inviting me to participate in this project. Their passion for Canadian whisky really shines, and they are dedicated and fun ambassadors. Furthermore, Johanne’s organization of the event and Davin’s willingness to thoroughly answer each and every question showed off the famous Canadian generosity of spirit beautifully. Huge thanks to both of them, and to Davin’s publisher, McClelland & Stewart Ltd., for the book. I learned so much and I feel like it’s only the beginning. I can’t wait to see (and taste) what comes next in my Canadian whisky explorations.
When I lived in Scotland, I knew how spoiled for choice I was when it came to Scotch whisky. Besides the wide array of exceptional (and affordable) drams that even the smallest bars offered, it seemed like every other week there was a tasting, festival, or other event centered around the water of life. I realized that coming back to New York would mean adjusting my expectations of variety and opportunity.
Even so, New York City is probably the best place in the country to be a whisky drinker. We have oodles of great whisky bars, from the high-end down to the cheap and cheerful, and—thanks to the largest port on the East Coast and a slew of excellent importers and distributors—pretty much any whisky available anywhere in the US is available here, too. On top of that, several national whisky festivals make stops here: WhiskyFest, the Single Malt & Scotch Whisky Extravaganza, and WhiskyLive.
Walking into Pier Sixty at Chelsea Piers on Wednesday transported me back to happy memories of the Glasgow Whisky Festival, the Whisky Stramash, and the Whisky Fringe. Booth upon booth of delicious drams stretched before me, freely offering pours of old and new favorites. There was a healthy mix of Scottish, Irish, and American whiskies, as well as international whiskies from Japan, Australia, India, and Sweden.
The highlight of the evening, though, was the the people. I enjoyed running into friends from the NYC whisky community like Allison Patel, whose Brenne booth was mobbed the entire evening by ardent new fans, and Josh Feldman, pouring for Gordon & MacPhail and charming the whole room with his usual bonhomie. And I was elated to meet IRL Angelo (G-LO) and Max from It’s Just the Booze Dancing. Best of all, though, I got to meet two of my industry heroes. (Am I allowed to be that cheesy? This is my blog—heck yes!)
G-LO texted me while I was still on my way to say I’d been invited to join a Virtual Tasting panel by Mark Gillespie, whisky writer and the man behind the magic at WhiskyCast. If you aren’t familiar, WhiskyCast is a weekly podcast + app + website/community about—duh—whisky, and Mark is the genius/personality that makes it all go. His weekly episodes, which feature news from the whisky world and interviews with industry folks, are an audible treat that I usually save up for my Sunday morning walk to church (whisky being as reverent an experience for me as worship, dontchaknow).
I tell you what, when I read that text, I had a small panic attack on the M14 bus. I knew Mark was going to be at the event and had hoped to meet him there, even just to briefly shake his hand and tell him what a fan I am. Now I was not only meeting the man, but drinking with him—and the potential for any number of embarrassments reared its head. What if I hated the whisky? What if I couldn’t articulate what I tasted? What if I just sounded dumb (a genuine concern for me since the first time I heard my voice recorded)?
There was no reason to worry. Mark is as friendly and generous in person as he sounds like on the podcast. And the tasting was just like any other, plus microphones, so I felt relaxed and at ease throughout. Together with G-LO and Max, some friends of Mark’s, and Ian Chang, Master Distiller at Kavalan, we sampled four beautiful whiskies: the aforementioned Brenne, an Invergordon single grain from That Boutique-y Whisky Company, Balcones Fifth Anniversary Texas Straight Bourbon, and Redbreast 12 yo Cask Strength. What a delight! It was like being back in Edinburgh, except this time I could blether about my thoughts to a much wider audience than just my husband. (Anyone who knows me can tell you that speaking my mind makes for a very gleeful Susannah indeed.)
Mark also shared a taste of Cleveland Whiskey which he reviewed a couple weeks ago on WhiskyCast. Dear God. The only thing I can compare it to is if you mixed paint thinner with dried blood in a rusty bucket. Nothing more need be said, amirite?
The thrill of taking part in an actual WhiskyCast (sort of) infused my evening with a happy glow. And the excitement wasn’t over! The other whisky luminary I’d hoped to meet was Davin de Kergommeaux, writer of Canadian Whisky and author of the book of the same name. Next month, I’ll be taking part in a series of mystery tastings based around Davin’s book and I’ve been getting a head start on reading and boy, am I learning A LOT. I know next to nothing about Canadian whisky and what I do know is, apparently, incorrect. This book reveals the truth behind common myths about Canadian whisky plus copious other information: the history of distilling in Canada, how Canadian stills work, flavor profiles found in Canadian whiskies, and more facts about grains and yeast than I ever thought I wanted to know. It’s awesome. I’m actually pulling out post-its on the subway to mark which passages I want to re-read and where I have questions.
At the end of the evening, I still hadn’t managed to track down Davin, but I knew he was there: a tell-tale stack of his books indicated that he’d come by before the night was over to pick them up. I waited around a bit and then spotted Peter Silver, who pointed Davin out just a few steps away. I bubbled over and introduced myself and shook hands and probably acted pretty foolish…But it was just the perfect end to the evening. Davin is so nice. I mean, nearly every whisky person is nice but he is absolutely the nicest because he’s Canadian. He signed my book and didn’t mind a bit how much I gushed. In all the excitement, I forgot to take a picture with him, so you’ll just have to take my word for it that I was grinning like a kid on Christmas.
I pretty much floated home, that’s how great an evening it was. Because of the time I spent doing the Virtual Tasting, I didn’t sample nearly as many whiskies as I’d have liked—but the trade-off was definitely worth it. There will be more whisky events this year (another is coming up in just a few days) but even if I don’t make it to the rest, Whisky Live 2013 has left me quite content for now.
The last time I attended a spirits-fueled theme event, the focus was murder, mayhem, and a roving cast of characters straight out of Dickens. This past weekend, mayhem and characters (sans murder) abounded in a Prohibition-esque party held at Webster Hall, infamously publicized as a former speakeasy run by Al Capone (well, there’s the murder, I suppose). East Ville des Folies seeks to become an annual event celebrating “rare Whiskeys and Beers from around the world” while immersing its guests in “the culture of the original burlesque hall as it was at the turn of the century”.
The jazz was swinging as scantily-clad ladies sporting feathered headpieces beckoned on the dance floors. I headed for the whiskey first, finding a wide selection from Highland Park, The Famous Grouse, Four Roses, Woodford Reserve, and others. As always at these sorts of the things, the ambience didn’t lend itself to properly tasting each separate dram, but I was at least able to weed out the dreadful from the exceptional. (On the former category, I’ll keep silent; on the latter, I’ll point out Whistlepig Rye as a new favorite and the ever-reliable Balblair—represented here with the 1989, 1991, and 2001 editions—as consistently pleasing.)
Having exhausted my companion with spirituous refreshment, I moved on to the beer floors, which were far more crowded. Was it just that more people had arrived by that point, or that the demographics of ticket-buyers skewed towards beer lovers? No idea, but it was pretty rough. I managed to taste a few new-to-me brews such as Leinenkugel’s Vanilla Porter (no joke on the vanilla), Curious Traveler Shandy (I’m not a shandy drinker, and I liked it), the range of Full Sails (excellent, each one) and Moa Breakfast, a New Zealand “blend of premium wheat malt, floral Nelson hops and cherries” that, I’m sorry to say, tasted of Dimetapp. Sadly, the Crabbie’s table was all out by the time I got there; but luckily, Williams Brothers was still pouring Fraoch Heather Ale, one of the tastes I miss most from Scotland.
With four floors of tasting tables, music, and more, this event certainly gave bang for the buck. I loved all the bands (and the phonograph DJs), and the entertainment, which included stilt-walkers, a photo booth I never managed to get to, and an aerialist, definitely wowed me. I had great fun exploring the nooks and dark corners of Webster Hall, too, especially with new drinks to try at every turn. Touting the some of the beers and whiskies served as “rare” might have misled some folks, though at $40 a ticket I’m sure no one expected Pappy Van Winkle. The selection, especially some of the beers, was unique, if not so difficult to find that I’d call it “rare”.
In short, East Ville des Folies provided three solid hours of booze-tastic entertainment and—in a truly “rare” turn for New York—was incredibly affordable. The event sold out, which means with any luck it’ll return next year. I’m already looking forward to donning some beads and feathers, springing for the early-access VIP ticket, and finally getting my shot at the photo booth.